https://www.primzgallery.com/artalksprimz daily 0.75 2023-07-25 https://www.primzgallery.com/artalksprimz/lighting-and-conservation-of-art monthly 0.5 2023-07-25 https://www.primzgallery.com/artalksprimz/modern-materials-and-the-new-wave-of-conservation monthly 0.5 2023-01-06 https://www.primzgallery.com/inkandpaper daily 0.75 2026-01-08 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606493649591-AZLMAOVWUOMIEQ1GXEFH/07040604.jpg Ink and Paper CHEN WEN HSI // Pigeons, 1975 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606493644695-20F4JN9AFSHQ2CJZYH92/07040576.jpg Ink and Paper LIM TZE PENG // Memories of Old Shophouse, 2011 // Chinese ink on paper // 102 x 102 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606493915173-U3P5XYRDX1PLGATKPW0S/DSC00498.jpg Ink and Paper CHEONG SOO PIENG // Malay Girls with Bird, 1981 // Chinese ink and colour on cloth // 102 x 134 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606493545428-XH18NBCCJ2XQFCY46RG2/07040696.jpg Ink and Paper CHEONG SOO PIENG // Cowherd, 1961 // Ink and colour on paper // 45 x 93 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606494122272-9SBA3UCCYUPQZIDXKRSO/07040635.jpg Ink and Paper TAY BAK KOI // Untitled (Village Series, Abstract), 1964 // Mixed media on paper // 62 x 82 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606495339154-ZMJM25OVXTWTUT4O8SNH/07040672.jpg Ink and Paper GOG SING HOOI // Singapore River, 1970 // Watercolour on paper // 71 x 52 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606494207253-B8JWHBKF0EW3QO8BNF9K/07040581.jpg Ink and Paper LIM TZE PENG // Chinatown (2), 2011 // Chinese Ink on Paper // 62 x 82 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606494105742-BI2X7PLZCU6F0I8CUWKX/07040591.jpg Ink and Paper LIM TZE PENG // Fleet of Boats, 2011 // Chinese Ink on Paper // 100 x 107 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606494301273-PP0BVG1JKQSRXU6VAJN2/07040712.jpg Ink and Paper CHEONG SOO PIENG // Coastal Landscape, 1961 // Chinese Ink on Paper // 88 x 45 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606494323745-DUZV3Y0RILW3BWMX5VW3/07040613.jpg Ink and Paper CHEN WEN HSI // Two Gibbons, 1980 // Chinese Ink on Paper // 33 x 46 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606494293535-5BS14UA3V9M6ZBQ8VI17/07040626.jpg Ink and Paper CHEN WEN HSI // Squirrel, 1980 // Chinese Ink on Paper // 33 x 46 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606494429831-3ZTG33S8FWVLOJZXY7NL/7Dm2EjZw.jpeg Ink and Paper CHEN WEN HSI // Cicadas, 1980 // Chinese Ink on Paper // 33 x 46 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606494470775-5WO2RCWVALD0HXB5FTXF/Lim+Cheng+Hoe_Crossing+the+Bridge+Unframed.jpg Ink and Paper LIM CHENG HOE // Crossing the Bridge, c. 1960 // Watercolour on Paper // 36 x 49 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606495410714-LP9MJNUHXF0YAQJCNMA6/Lim%2BCheng%2BHoe_Two%2BWomen%2B1964%2BUnframed.jpg Ink and Paper LIM CHENG HOE // Two Women, 1964 // Watercolour on Paper // 36 x 49 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606494635829-EXJ2T6XBZ8CP3QTUZJSI/Ong+Kim+Seng_Sonpan+%28China%29+1985+Unframed.jpg Ink and Paper ONG KIM SENG // Sonpan (China), 1985 // Watercolour on Paper // 58 x 75 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606494621936-8PQ4OL8WSQ0FS2PXYMP2/Ong+Kim+Seng_Xigezei+%28Tibet%29+1988+Unframed.jpg Ink and Paper ONG KIM SENG // Xigezei (Tibet), 1988 // Watercolour on Paper // 58 x 75 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606494631300-NQ80I95UEYXE8YSX1WU1/Tay+Bak+Koi_Abstract+Composition+1964+Unframed.jpg Ink and Paper TAY BAK KOI // Abstract Composition, 1964 // Mixed Media on Paper // 61 x 81 cm https://www.primzgallery.com/worksofjanelee daily 0.75 2021-08-05 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1605102224480-3Y96NFZ8TRAT17UJC6W0/20170402G013.jpg Rise and Fall, Ebb and Flow: Works of Jane Lee JANE LEE // PORTRAIT #1, 2013 // Acrylic Paint, gel on mixed fibreglass base // 122 x 122 x 7 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1605101714548-WVQA6BKRONU3P7AAH62B/20170402B032.jpg Rise and Fall, Ebb and Flow: Works of Jane Lee JANE LEE // BELONG SERIES, 2015 // Mixed Media (12 pieces) // Varied Sizes https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606315764853-2YHTKTOW4ZKJJ0NXV6QQ/20170402G010.jpg Rise and Fall, Ebb and Flow: Works of Jane Lee JANE LEE // UNTITLED, 2014 // Synthetic polymer paint and binder on canvas // Varied sizes https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606580017298-27N4AGQ3TIGEQXMGUYRM/20170402B024.jpg Rise and Fall, Ebb and Flow: Works of Jane Lee JANE LEE // HEARTBEAT I, 2015 // Acrylic paint, gel on mixed fiberglass base // 100 x 100 x 7 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606316069429-N1KJN4LGXQC9RF5OR3V6/20170402G007.jpg Rise and Fall, Ebb and Flow: Works of Jane Lee JANE LEE // HEARTBEAT 1.1, 2015 // Acrylic paint, gel on mixed fiberglass base // 100 x 100 x 7 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606316124785-TO95E1E38HWU0SJM2BB1/20170402G001.jpg Rise and Fall, Ebb and Flow: Works of Jane Lee JANE LEE // AUM, 2014 // Acrylic on canvas // 103 x 103 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606496003364-NRXNAHB0YARKNPRU6CRU/20170402G005.jpg Rise and Fall, Ebb and Flow: Works of Jane Lee JANE LEE // SILVER (FETISH SERIES), 2014 // Synthetic polymer paint and binder on canvas // 123 x 123 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606316599215-3IZ63890LCIDHWQ1CX29/20170402B047.jpg Rise and Fall, Ebb and Flow: Works of Jane Lee JANE LEE // RED (FETISH SERIES), 2014 // Synthetic polymer paint and binder on canvas // 180 x 150 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606490647874-JPYF0PUCI1R2BNF2E1PY/20170402G014.jpg Rise and Fall, Ebb and Flow: Works of Jane Lee JANE LEE // COILING II, 2015 // Paper, pins on board // 90 x 110 x 5 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606316946612-B19F6NZHJK8C7855GQKY/Screenshot+2020-11-25+at+11.08.09+PM.png Rise and Fall, Ebb and Flow: Works of Jane Lee JANE LEE // THE BIRDS, 2015 // Video projection on coiled mylar, stainless steel and frosted acrylic // Duration 0:43 mins // 54 x 54 x 2.5 cm https://www.primzgallery.com/our-collection daily 0.75 2020-11-28 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606582257157-JI3GR4V991FF9Y7CX04C/LORES007.jpg Our Collection SUZANN VICTOR // I was like that myself…we all held each other’s hands (Red), 2015 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606582279721-Z0X758631XY5GIJQHCVL/HZA12-1744.jpg Our Collection HONG ZHU AN // Intoxication, 2012 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606582265537-OHSY9AXOEN47FF1DPDJ2/HSP13-2171.jpg Our Collection HAN SAI POR // Nestles 2, 2013 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606580839421-ET2YVHR0RGTBSCD66Z54/20170402B047.jpg Our Collection - “Actually the interest in art started with me. When I was travelling in my early days, I gravitated to museums. I went to museums and saw huge classical pieces; whether I went to Amsterdam or anywhere in Europe, I would just make it a point to go to museums. And that did interest me in the beginning, but I think it [collecting] started when we came back—we had a mutual friend who started showing us works of Singapore’s artists, and that kickstarted our interest.” JANE LEE// Red (Fetish Series), 2014 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606581345371-EL1WCDFZI5UKGX1EYTR0/LORES017.jpg Our Collection - “Actually the interest in art started with me. When I was travelling in my early days, I gravitated to museums. I went to museums and saw huge classical pieces; whether I went to Amsterdam or anywhere in Europe, I would just make it a point to go to museums. And that did interest me in the beginning, but I think it [collecting] started when we came back—we had a mutual friend who started showing us works of Singapore’s artists, and that kickstarted our interest.” PROMTHUM WORAVUT // (left) This is My Boy, 2010 // (right) This is My Girl, 2010 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606531938729-ROYE8H7XXO08CC5V7DPI/LIM+TZE+PENG%C2%A0%2F%2F+Memories+of+Old+Shophouse%2C+2011%C2%A0 Our Collection - “Actually the interest in art started with me. When I was travelling in my early days, I gravitated to museums. I went to museums and saw huge classical pieces; whether I went to Amsterdam or anywhere in Europe, I would just make it a point to go to museums. And that did interest me in the beginning, but I think it [collecting] started when we came back—we had a mutual friend who started showing us works of Singapore’s artists, and that kickstarted our interest.” LIM TZE PENG // Memories of Old Shophouse, 2011 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606538626504-HPSEIX1U95UAX5MB494X/DSC00498.jpg Our Collection - “Actually the interest in art started with me. When I was travelling in my early days, I gravitated to museums. I went to museums and saw huge classical pieces; whether I went to Amsterdam or anywhere in Europe, I would just make it a point to go to museums. And that did interest me in the beginning, but I think it [collecting] started when we came back—we had a mutual friend who started showing us works of Singapore’s artists, and that kickstarted our interest.” CHEONG SOO PIENG // Malay Girls with Bird, 1981 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606536253071-CYN77A4ENXSB8PIUHB9C/LORES023.jpg Our Collection - “Actually the interest in art started with me. When I was travelling in my early days, I gravitated to museums. I went to museums and saw huge classical pieces; whether I went to Amsterdam or anywhere in Europe, I would just make it a point to go to museums. And that did interest me in the beginning, but I think it [collecting] started when we came back—we had a mutual friend who started showing us works of Singapore’s artists, and that kickstarted our interest.” MELISSA TAN // Arc of Uncertainties, 2016 https://www.primzgallery.com/reimaginingpaper daily 0.75 2021-08-05 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606232736510-4PED6JLFP6Y5U7QQRBTC/1.+the+paper%2C+some+paper.jpg Reimagining Paper CHUN KAI QUN // the paper, some paper, (RGB), 2019 // Classified newspapers, raffia strings // Dimensions variable https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606232871859-XMS4DMQHQJAEHIGCATZ1/2.%2BUntitled%2B-%2BBlack%2BWhite.jpg Reimagining Paper TANG DA WU // Untitled - Black/White, 2014 // Ink on Paper // 140cm x 250cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606234279616-Y3O06UWW4JL943WFVV4O/3.%2BUnfolded%2BDream.jpg Reimagining Paper JANE LEE // Unfolded Dream, 2015 // Stacked homemade cotton paper, button magnets, built-in mutli-media peep box, animation https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606234356997-US525XPERQHRODN9VIR7/4.+Bloom.jpg Reimagining Paper GENEVIEVE CHUA // (left) Bloom 1.40, 2011 // (right) Bloom 7.40, 2011 // Lithography and monotype on Japanese Kozo paper // 141cm x 76cm per panel https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606234809195-5LRIIJ76FRUL5Z8QOOF2/5.%2BSuzann%2BVictor%2B1.jpg Reimagining Paper SUZANN VICTOR // I was like that myself... we all held each other's hands (No. 1), 2015 // Screenprint, fresnel lens, acrylic frame // 71cm x 101cm x 8cm per panel https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606234831929-J0DZ1DXKOZQGD5RZPU4Y/6.%2BSuzann%2BVictor%2B2.jpg Reimagining Paper SUZANN VICTOR // I was like that myself... we all held each other's hands (No. 2 Purple), 2015 // Screenprint, fresnel lens, acrylic frame // 71cm x 101cm x 8cm per panel https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606234818144-V6OXED6JFYDGSH5DHL8E/7.+Arc+of+Uncertainties.jpg Reimagining Paper MELISSA TAN // Arc of Uncertainties, 2016 // Acrylic on watercolour paper and powder-coated steel // 210cm x 125cm x 4cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606235344347-7KKUEPBI0LY3K8KV59W9/8.%2BThis%2Bis%2BMy%2BBoy%2BGirl.jpg Reimagining Paper PROMTHUM WORAVUT // This is My Boy, 2010 // This is My Girl, 2010 // Graphite on Paper // 118cm x 69cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606235877132-41JZSJPINPUUE2PRRI6B/9.+Sembawang.jpg Reimagining Paper TANG DA WU // Sembawang West and Sembawang East, 2015 // Ink and Colour on paper // 246cm x 136cm each panel https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606271590809-0SVVBJ05QST95LGQC7JY/L20190321_051.jpg Reimagining Paper CHEONG SOO PIENG // Untitled, 1970 // Collage on Paper // 96cm x 68cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606271683027-KO6MGXOESLNPCU9SKJEW/L20190321_049.jpg Reimagining Paper WONG KEEN // Dancing (lotus abstract), 1999 // Acrylic and ink on paper // 152cm x 81cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606273298152-UGF8YMMQNLSIL7249AR1/L20190321_056.jpg Reimagining Paper TAY BAK KOI // Landscape Abstract, 1964 // Ink on paper // 55cm x 76cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606272909425-P45VJXOLY9VNRK1JG26D/L20190321_053.jpg Reimagining Paper GOH BENG KWAN // Thailand Palace, 1989 // Mixed media on paper // 69cm x 49cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606273499740-2413RGK2IR27AQCT2Y7B/L20190321_054.jpg Reimagining Paper GOH BENG KWAN // Homage to Mai Mao, Myanmar, 1992 // Mixed media on paper // 77.5cm x 60cm https://www.primzgallery.com/about daily 0.75 2020-11-27 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1606274278117-9IWK7YKLOYAGYZTV9QUB/L20190321_092.jpg About - Meet the Founders Primz Gallery was established in 2014 as a platform for Linda Neo and Albert Lim to showcase their private collection of more than 15 years. When they shifted their focus to collecting artworks by Singapore artists in 2010, they launched a total of three private non sale exhibitions at their art space: Ink & Paper (2015); Jane Lee: Ebb & Flow, Rise & Fall (2017), and Reimagining Paper (2019). In addition, they exhibited a collection of Lim Tze Peng’s kampong series called “My Kampong My Home” at the Singapore Management University (2010) and a joint exhibition entitled “Songs from the Heart” (2013). Some of their collection have been loaned to the Singapore Art Museum, Art Science Museum in Singapore and The Art Gallery of New South Wales in Sydney. Art students from the Sotheby’s Institute of Art, Los Angeles and philanthropists from the Art Gallery of New South Wales, Sydney were also given access and introduction to the Singapore art scene at their private art space. Primz Gallery aims to be an exhibition space for art appreciation, knowledge, education and conversation for local and foreign visitors. https://www.primzgallery.com/contact-us daily 0.75 2024-06-24 https://www.primzgallery.com/fleshandspirit daily 0.75 2025-10-12 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1609666417776-VIES73JQHKCN8DDTRT6X/Karmic+Mirror.jpg Flesh and Spirit IAN TEE // KARMIC MIRROR / MOTH INTO FLAME, 2017 // Destroyed aluminium composite panel with mirror finish // 150 x 122 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1609668838196-FNSSRK1XMF34JE5IEH8J/Magga+%28Path%29.jpg Flesh and Spirit KAMOLPAN CHOTVICHAI // MAGGA (PATH), 2015 // C-type print and hand cut canvas // 110 x 112 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1609669070249-R0R6AZM1TG2PCVFXMAFT/GOH_0666.jpg Flesh and Spirit MELLA JAARSMA // FEEDING THE NATION, 2020 // Photograph in 3 parts // 85 x 77 cm, 85 x 135 cm, 85 x 75 cm // Edition 3 of 5 (+ 2AP) https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1609669168816-FDACXCFC1X7FAQT3QLT4/GOH_0675.jpg Flesh and Spirit GENEVIEVE CHUA // ULTRASOUND #1, 2012 // Acrylic and screenprint with enamel on linen // 118 x 180 x 4.5 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1609669233884-WD5V553FOJIZZ697LGB9/GOH_0705.jpg Flesh and Spirit PANNAPHAN YODMANEE // PRIMORDIAL TIME, 2020 // Mixed media on linen // 120 x 100 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1609669277743-U9EVBX90KIL97Z67V30C/GOH_0590.jpg Flesh and Spirit NORBERTO ROLDAN // CRUSADE, 2015 // Wooden crosses salvaged from demolished old houses, beeswax drenched panels, Middle Eastern carpets, neon lights // 168 x 540 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1609669385784-O5SHCI0282TKCDIYTN0I/GOH_0546.jpg Flesh and Spirit JANE LEE // NOWHERE, 2018 // Acrylic mirror tiles, reflective vinyl sticker, acrylic paint, enamel, silicone, resin and wood // Dimensions variable https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1609728349325-BMICZC5GI9A6JQLLTD8I/GOH_0498.jpg Flesh and Spirit NATEE UTARIT // PARRHASIUS PAINTING (BLACK AND WHITE), 2005 // Oil on canvas 100 x 140 cm (diptych) https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1609728371467-25NWF43APTVJ6HEWFBAW/GOH_0485.jpg Flesh and Spirit MIYA ANDO // CLOUD MOON MANDALA, 2013 // Dye, pigment, phosphorescence and resin on stainless steel // 91.5 x 91.5 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1609684066952-D3PEQ2JZAZ29RT6VT5SD/GOH_0528.jpg Flesh and Spirit SUZANN VICTOR // WING MANGER, 2018 // Crushed stained glass // 47 x 86 x 25 cm https://www.primzgallery.com/media daily 0.75 2026-03-20 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/0b31a334-3197-4820-b2ee-7cf932a684f0/Forbes+Article-3.png Media - The Collector Powering Singapore’s Art Community — Forbes // 13 March 2026 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/3efe790f-23ed-4205-9e3c-1e83fd9e2165/1.png Media - How Private Art Collectors In Singapore Are Helping To Shape Our Artistic Future — a+ Singapore // 15 July 2025 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/3dd3c028-4883-4c4d-8aeb-3f9c0b014edd/IMG_9528.PNG Media - Art Picks: Paradise Is At The Tip Of A Needle, Web Of Being, two artists at the Esplanade — Life! // The Straits Times // 21 Feb 2025 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/7c9a843c-dac5-4934-9a50-9de91cf04629/761DE793-6473-4B14-A361-617CAD552684.jpg Media - Collector Linda Neo On The Impact Of Art SG Art Fair In Singapore — Forbes // 13 Jan 2025 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/a9331e6c-513e-4d45-a2ff-be192de57a54/IMG_7695.jpg Media - Why this year’s Singapore Art Week is a watershed — The Business Times, Singapore // 18 Jan 2024 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/3a8c4aff-0798-4dfd-8253-5207616f050f/IMG_7585.jpg Media - Singapore art collector Linda Neo on telling alternative stories and championing local and Southeast Asian art — Lifestyle & Arts // Tatler Asia // 9 Jan 2024 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/58dff981-578d-4e5f-9378-356c76a8f9a0/Grey+Minimalistic+About+Me+Portrait+Instagram+Post.png Media - 艺术出游 Travelling for Art — Lianhe Zaobao // 8 Jan 2024 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/968ac0be-0d68-485e-a721-6664ac117acd/E814E2A3-E40A-414F-A88A-9BAEE4036E07.jpg Media - Arts Picks: Check out three shows by female artists this weekend — Life! // The Straits Times // 5 Jan 2023 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/6919612c-7be5-4f70-833b-58aac93a8a5d/33FB42AC-0C4C-462B-815E-98D7800CE0DC.PNG Media - Who are South East Asian collectors championing now? Prominent patrons discuss how collecting practices are evolving — Art Basel // July 2022 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/9825bf7b-74ff-4168-a600-d9af277f1504/photo_2021-10-28_11-14-17.jpg Media - Collectors to Watch: Linda Neo and Albert Lim Are Connecting with Their Roots by Buying Singaporean Art — ARTnews // 21 October 2021 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1630328631041-ZRFL3U4A3ZREUK2HZ17W/lFbvs4yg.jpeg Media - Interview with Pannaphan Yodmanee — Vault Magazine, Issue 35 // August to October 2021 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1616250399655-TCFA5ZL34TOZ0SPL2TPR/Plural+at+Primz.jpeg Media - Flesh and Spirit: A Trip Through the Private Collection of Linda Neo and Albert Lim — Plural Art Mag // 9 March 2021 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1616250637229-CB1PJSEK0UMA42TPICYB/BT%2BFeature.jpg Media - Art For All: Prominent art collectors turn art advocates to promote Asian talents — The Business Times, Singapore // 5 February 2021 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1616251873864-1Z2JHANHULDOVZH60U7K/SEA+Focus.jpeg Media - S.E.A. FOCUS 2021: Exclusive Tour of Flesh and Spirit at Primz Gallery — S.E.A. Focus 2021 // 22-31 January 2021 https://www.primzgallery.com/wangjiafang daily 0.75 2023-11-02 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/997d2520-e5c8-4770-b98f-48582803a2c9/P2444520.jpg Ink Landscapes by Wang Jiafang The Beauty of Huashan in Snow 积雪华山秀 // Chinese ink and colour on paper // 247 x 123 cm // 2007 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/15db6495-92a0-4283-8534-9bdf93ccdcf6/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20210827202901.jpg Ink Landscapes by Wang Jiafang Travel Sketches of the Lion City III—A Global Financial Hub 狮城游记·三 —国际金融中心 // Chinese ink and colour on paper // 29 × 20 cm // 2019 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/ac75868a-937f-48bc-9e74-c825389131dc/P2444511+%281%29.jpg Ink Landscapes by Wang Jiafang Auspicious Clouds 祥云 // Chinese ink and colour on paper // 165 × 123 cm // Undated (2010) https://www.primzgallery.com/wangjiafang/huashan daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/85fa70c6-3acf-4d9d-a9b0-a9e08e17936e/P2444520.jpg The Beauty of Huashan in Snow Huashan is known for its perilous majesty and strange beauty, standing at a lofty height. There are five main peaks on Huashan, with its three tallest peaks in the East, West, and South. They are thus referred to as the ‘Three Beyond the Heavens’. One of China’s five mountains, Huashan gained its global fame from its treacherous beauty. Throughout history, countless literati poets and painters had inked down their awe. The great Tang poets such as Li Bai and Xu Hun immortalized their thoughts through their famed poetry. The great painter Wang Lü, who lived between the Yuan and Ming, led a secluded life in Huashan, painting its perilous peaks. He said: ‘I learn from my heart, my heart from my eyes, and my eyes from Huashan.’ With the techniques of the Northern Song, he painted the Huashan Album, imbued with the spirit of life. This is his only surviving work. Contemporary painter such as Zhang Daqian had also painted Huashan, producing works that were exemplary. His disciple He Haixia scaled the mountain many times, capturing its majestic air with his industrious brush; his works demonstrate the lush beauty of Huashan. Though painters such as I have not scaled Huashan, our breasts reverberate with the spirit of the mountain. It can be said that no one has painted snow scenes such as these before, so I tried my hand at it. The Qing painter Yun Shouping has discoursed on painting snow scenes in this manner: ‘at present, painters should use black ink to portray forms’, ‘regarding paintings, they need to achieve the atmosphere of invasive and congealing frigidity. Expansive forests, precipitous cliffs, winding paths, and signs of human habitation should be captured in a way that denotes primordial vastness and profound solemnity. Forms should be bitingly cold while light should evoke melancholy. Blowing away the layers, one wanders within the landscape and draws delight from it. The sensation of the rocks arises from the painter’s desk, while forceful energy emits from the tips of his brush. With this, the achieved otherworldly scene and natural forms can all stand in for snow’. Painted at the time of Bailu of Dinghai in the Unsullied Studio, on the western suburbs of Shanghai Signed by Wang Jiafang of Jiading 华山以它雄险奇秀壁立千仞。华岳主峰有五，其中以东西南三峰最高，故有天外三家之称。在华夏五岳中，华山以其奇绝而名闻天下，历史上曾令无数文人 骚客诗人画家为之赞叹挥毫游墨。唐代大诗人李太白、许浑等都留下千古名句。元末明初大画家王履隐居太华，搜画奇峰，提出了“吾师心，心师目，目师华山” 之言，以北宋之法写得《华山图册》，极有生活之气韵，传世的仅存之作。当代画家大千亦偶画华山，颇有一番奇功，而其弟子何海霞多次登临华山奋笔，写 其雄姿；他的作品为画里华山之美苍。吾辈未登太华，但胸中有华山的灵气，写雪中之景，更为前无故人，吾题笔偶写为之。清人恽寿平论雪景画法有言：“ 今人画雪必以墨渍于外”，“偶论画，须得寒凝凌兢之意，长林深峭，碉道人烟， 摄入浑茫，游于沕穆。其象凜冽，其光黯惨。披拂层曲，循境涉趣。岩气浮于几席， 劲飙发于毫末。得其神迹，以成造化，斯 喻于雪矣。” 岁次丁亥白露于沪上西郊无尘画室 嘉定汪家芳记 https://www.primzgallery.com/wangjiafang/remotepavilion daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/aae8ee1d-1ce0-43ad-926b-f9152b5820a6/P2444636N.jpg Reading in a Remote Pavilion Reading in a Remote Pavilion The sound of reading is as clear and crisp as flowing water A road lies beyond the sandbank, amidst wintry mountains and wilting trees It is not that autumn brings with it melancholic thoughts But the evening view reminds me of the sorrows of Xinting Painted in the winter of Yiyou in the Unsullied Studio, on the western suburbs of Shanghai Jiafang of Jiading 野亭读书图 书声流水共泠泠 落木寒山路隔汀 不是秋来易伤感 夕阳风景似新亭 岁次乙酉冬月画于沪上西郊无尘雅室 嘉定 家芳 https://www.primzgallery.com/wangjiafang/summerhill daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/6666f37f-7f86-4b32-a7ac-e3d0f08cbe00/P2444540.jpg Verdant Summer Hill Winding rivers across ten thousand ravines Reveal the leisurely pleasure of the ancients White clouds float above the high, green mountains Pavilions all about links my sight to the faraway islets An enormous dragon clings onto the sides of the cliffs And a flock of cranes cries in the clear autumn Meeting a friend, the elder puts on his clogs While the wanderer sails on a jade vessel without a care Such is the wonderful scenery of the mulberry forest, That I could glimpse the immortals’ dwellings. The hardest component of landscape painting is to depict activities. The natural landscape never changes, but each master brings his own style to the genre. To paint the scene realistically can only be deemed to be from the hand of an amateur. An artist needs to capture the spirit of a landscape and with spirit resonance, the painting can be considered to be a masterpiece. Therefore, to paint activities well requires one to read widely. When one reads widely, he becomes used to the vicissitudes of life and is cured of ignorance. Naturally, one’s heart becomes clear, and the unique qualities of mountains and ravines enters one’s character. By learning from nature, we find the source of our hearts. In the summer of Dinghai, on Duanwu festival, painted by Jiafang of Jiading in Shanghai. 万壑江水曲 悠然高古趣 苍山高处白云浮 楼阁参差带远洲 千尺虬龙依绝壁 一群鹳鹤唳清秋 山翁有约凭双屐 野客无心溯碧舟 自是桑林好风景 居然尺五见丹丘 山水之道，为绘事最难之。自然之山，万古不变，然各代大家所画山水自有风格。对景写实，只为能事所写真。山水需得其神，气韵生动，尚为神品也。故绘事须多读书，读书多，见古今事变多，不狃狭劣见闻，自然胸次廊彻，山川奇透入性也。师法自然，中得心源。 岁次丁亥夏月端午 海上 嘉定 家芳 https://www.primzgallery.com/wangjiafang/recitingpoetry daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/6376012c-2f61-4567-ad41-13cd74f6cd17/P2444660N.jpg Reciting Poetry Amidst Pine Wind and Spouting Springs Reciting Poetry Amidst Pine Wind and Spouting Springs I have been partial to painting pines for many years, desiring to capture its spirit. Pines grow in a way that are curved but not grotesque, at times clustered and at times sparse, with its green nearing the colour of jadeite. A noble character can be seen from its minute ends to its straight trunk. Despite its towering stature, its branches reach low. Its needles hang suspended without falling onto the ground, layered as if they were stacked up in the forest, reminiscent of the superior person’s (junzi) noble air. Some paintings portray pines as flying and coiled dragons, its branches and leaves sprouting in an untrammelled manner; this is not the character of pine trees. Ancient sages and painters enjoyed the company of pines because of its ancient character. Painted in the Mid-Autumn Festival of Bingxu in the Unsullied Studio, on the western suburbs of Shanghai Jiafang of Jiading 松风飞泉吟诗图 吾好写松已为数年之久，松之精神为吾所图。松之生也，枉而不曲遇。如密如疏，匪青匪翠。从微自直，萌心不低。势既独高，枝低复偃，倒挂未坠于地下，分层似叠于林间，如君子之德风也。有画如飞龙蟠虬，狂生枝叶者，非松之气韵也。古之贤人墨客好与松之结缘，以似高古之风度也。 岁次丙戌中秋于沪上西郊无尘画室 嘉定家芳 https://www.primzgallery.com/wangjiafang/plateaus daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/816ca657-21b8-42db-90fd-df1e17d03e93/IMG_3469A.jpg Myriad Peaks Across the Ancient Plateaus Myriad peaks across the ancient plateaus The loess mountains stand lofty and majestic Tune after tune of soul-stirring and resounding xintianyou folk songs are the perfect representation of the yellow earth’s passion. Moved by the big-heartedness of having my face in the yellow earth and my back towards the sky, I break out in song and record this scene. Jiafang. 万壑纵横百年塬 苍茫壮丽黄土山 一曲一曲回肠荡气、激越高亢的信天游，这就是黄土情。余感悟面朝黄土背朝天的大气而为之吆歌写实。 家芳 https://www.primzgallery.com/wangjiafang/oldtipplers daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1e449d9e-4425-43d7-9933-f6e1e6c7736a/IMG_3669B.jpg Shared Joys with Old Tipplers Shared Joys with Old Tipplers I had painted a picture entitled ‘Shared Joys of the Old Tippler’s Pavilion’ several years ago. Repainting the scene now, I find that it is a true reflection of human happiness. Happiness is a pursuit, a philosophy, a demeanour, and self-cultivation. In the fifth month of Guisi beside a well-lit window on the banks of Shanghai’s Suzhou River 醉翁同乐图 余数年前有《醉翁亭同乐图》之作，今又作此图，为真人生乐境也。乐为追求、为哲学、为风度、为修养也。 时值癸巳五月于沪上苏河畔晴窗 汪家芳 https://www.primzgallery.com/wangjiafang/clearrivers daily 0.75 2021-11-11 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/c5b44397-1a22-4b8c-8882-b31fd055bfb9/IMG_3756B.jpg Clear Rivers and Leisurely Words - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/a9e0bb61-0e3e-46e0-9449-2de036cb390d/IMG_3819B1.jpg Clear Rivers and Leisurely Words - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/86c07e4e-52cf-4d9e-935e-91e34e2eaef7/IMG_3839B1.jpg Clear Rivers and Leisurely Words - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/9097d79b-a563-4013-b7b8-6c0c5cab817a/IMG_3919B1.jpg Clear Rivers and Leisurely Words - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/b42ff4c0-a92f-4124-99bc-9fc080c37b88/IMG_3939B1.jpg Clear Rivers and Leisurely Words The Yangtze only meets flat ground as it flows out of Xiling Gorge, where becomes torrential. It meets the Yuan and Xiang rivers in the south and conjoins with the Han and Mian rivers to the north, where its currents turn more rapid. As it flows to the foot of the Red Cliff, its waves and rhythms are like that of the sea. Zhang Mengde of Qinghe resided in Qi’an after he was demoted, where he built a pavilion to the southwest of his house in order to admire the beauty of streams and waves. My brother Zizhan named this pavilion ‘Kuaizai’—the ‘Delightful’. The pavilion has a longitudinal view of the Yangtze of more than a hundred li, and a latitudinal one of thirty li. Its billowing waves are fierce and unpredictable. In the day, boats sail to and fro in front of the pavilion; in the night, fishes and dragons cry out from under the waters. The Yangtze’s scenes change rapidly, astounding the mind and cannot be observed at length. One can admire these phenomena from their seats by just moving one’s eye. To the west are the Wuchang mountains, and one would see ridges undulate toward the distance, with vegetation laid out in rows. As the mist clears up and the Sun shines through, the dwellings of fishermen and woodcutters become visible. Therefore, the pavilion is named the ‘Delightful’. The ruins by the banks of the Yangtze were where Cao Cao and Sun Quan glared disdainfully at each other, where Zhou Yu and Lu Xun reared their horses. These tales and ancient sites that have been handed down from the past also delights us. In ancient times, King Xiang of Chu toured the Palace of the Orchid Terrace with Song Yu and Jing Cuo. As a gust of wind blew through the palace, the King opened his robes and exclaimed, ‘How delightful is this wind! Let me share it with all my subjects!’ Song Yu said, ‘This heroic wind can only be experienced by my King; how can common subjects share in it?’ Song Yu’s words were probably sarcastic. Wind cannot be divided by gender, and yet humans can be born into good and bad times. What does this have to do with the wind? If the literati are emotionally perturbed, then where would they not be troubled? If they are unperturbed and do not allow their surroundings to vex them, then where would they not find happiness? In this age, we see that Zhang Mengde was not rueful about his demotion, instead refreshing his heart and soul in nature above his daily work. With this, he is of nobler character than the common man. He would not feel any sorrow if he lived under a thatched roof and behind tiled windows, let alone amidst the cleansing powers of the pristine Yangtze. Facing the clouds of the western mountains and experiencing the aural and visual beauties of the scene in front of him, he finds himself in contentment. Otherwise, he would have a different understanding of rolling peaks, deep ravines, vast forests, towering trees, billowing winds, and bright moonlight. These are the same views that would discourage and upset a downcast literatus, impelling him to turn his back and avert his gaze. How could he understand the joy in them! I have always loved painting, especially landscapes. I copied the works of the ancients and spent thirty years in disappointment, rueful that I could not paint in a way that was true to nature. Therefore, I wandered about the famed mountains for years, including Huangshan, Wudang, Taihang, Qingcheng, and Yandang. I perceived otherworldly beauty that could not be put to paper by one who only studies through copying paintings. Discarding old practices, I attempted to represent that which is otherworldly. Although I have not achieved total verisimilitude, I brought to my paintings a breath of fresh air. The beauty of nature cannot be expressed through the constrained methods of the masters. The same can be said for this representation of Su Zhe’s ‘Kuaizai Pavilion of Huangzhou’. This long scroll was completed on the Qingming Festival of Jichou, painted in the blue-and-green style in emulation of Yuan-dynasty masters. By my south-facing window on the banks of the Suzhou River, in the western suburbs of Shanghai. Signed by Jiafang of Jiading 江出西陵 始得平地 其流奔放肆大 南合沅湘 北合汉沔 其势溢浓 至于赤壁之下 波流浸灌 与海相若 清河张君梦得 谪居齐安 即具庐之西南为亭 以览观江海之胜 而余兄子瞻名之曰快哉 盖亭之所见 南北百里 东西一舍 涛澜汹涌 風云开阖 昼则舟辑出没于其前 夜则鱼龙悲啸于其下 瘦化倏忽 动心骇目 不可久视 今得玩之几席之上 举目而足 西望武昌诸山 冈陵起伏 草木行列 烟消日出 渔夫樵父之舍皆可指数 此其所以为快哉者也 至于长州之滨 故城之墟 曹孟德、孙仲谋之所睥睨 周瑜、陆逊之骋骛 其流风遗迹 亦足以称快世俗 昔楚襄王从宋玉、景差于兰台之宮 有风飒然至者 王披襟当之 曰快哉此风 寡人所与庶人共者耶 宋玉曰 此独大王之雄风耳 庶人安得共之 玉之言 盖有讽焉 夫风无雄雌之异 而人有遇不遇之变 而风何与焉 士生于世 使其中不自得 将何往而非病 使其中坦然 不以物伤性 将何适而非快 今张君不以谪为患 窃会计之余功 而自放山水之间 此其中宜有以过人者 将蓬戶瓮牖无所不快 而况乎濯长江之清流 揖西山之白云 穷耳目之胜以自适也哉 不然 连山绝壑 长林古木 振之以清风 照之以明月 此皆骚人思士之所悲伤憔悴而不能胜者 乌睹其为快也哉 余少喜涂鸦 尤为山水 模拟四五家 吾三十年常以不得逼真为恨 故多年游历黄山、武当、太行、青城、雁荡诸名山 見奇秀天出 非模拟者可模似 摒去旧习 以意匠就天出 则之虽未及造微 然亦气象一新 天出之妙 不为诸家畦径所束 此苏辙《黄州快哉亭图》並为是也 岁次己丑清明时节写此长卷 以青绿法施之 拟元人笔意 散笔而就 于沪上西郊苏河畔南牖 嘉定家芳记之 https://www.primzgallery.com/to-begin-again daily 0.75 2026-01-27 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1672069077815-CGSZ1ZPTR9D9UIP5RUCA/Jane%2BLee_Not%2BHere%2BBut%2BNot%2BThere_2021_Acrylic%2Bon%2BFiberglass_Unframed%2B180x150x7.jpg To Begin Again Not Here But Not There // Acrylic on fiberglass // 180 × 150 × 7 cm // 2021 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1672066126101-EH395TFKSUFOX6FTNK4E/P3600303.jpg To Begin Again Golden Realm (Fetish Series) // Mixed media on canvas // 88 × 65 × 8 cm // 2018 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1672068856836-2Y0GOV0VEYI1MQ1CTAOU/IMG_122708C-lores.jpg To Begin Again Alpha and Omega // Acrylic on fiberglass // 260 × 180 cm // 2022 https://www.primzgallery.com/paradise-is-at-the-tip-of-a-needle daily 0.75 2026-01-27 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/ca605e89-ce35-4be7-aded-003a1612d4f3/IMG_8564.JPG Paradise Is At The Tip Of A Needle FYEROOL DARMA // PARADISE IS AT THE TIP OD A NEEDLE, 2017 // Synthetic polymer paint on artificial cowhide, cotton, thread and aluminium // 114 x 80 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/cd363594-1712-4a24-9d8d-dc88184b1f9e/DSC_1163.jpg Paradise Is At The Tip Of A Needle YEE I-LANN // THE ORANG BESAR SERIES: YB, EDITION 3 OF 8, 2010 // C-Type Prints // 32 x 36 cm (unframed) https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/2b71e294-bdfd-44c1-87c2-549454c89752/DSC_1048.jpg Paradise Is At The Tip Of A Needle IAN TEE // HISTORY KEEPS ME AWAKE AT NIGHT, 2020 // Acrylic, target papers, reflective tape, book cover and collage on destroyed aluminium composite panel // 200 x 300 cm (Diptych) https://www.primzgallery.com/ink-and-paper-10-years-on daily 0.75 2026-03-20 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/1a66014d-f464-4bd5-a966-91f7903d616a/Lim+Tze+Peng_K011812+copy.jpg Ink and Paper: 10 Years On LIM TZE PENG // Kumquat III 金橘, 2007 // Chinese Ink on Paper // 98 × 66 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/94b3774a-12e4-424d-ba9b-1843b51b58ed/CheongSooPieng_K011796+copy.jpg Ink and Paper: 10 Years On CHEONG SOO PIENG // Malay Girls with Bird 马来少女与鸟, 1981 // Chinese Ink and Colour on Cloth // 102 × 134 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/214e8b83-1486-4308-8cc6-e09c6d87b56c/Lim+cheng+Hoe_K011844.jpg Ink and Paper: 10 Years On LIM CHENG HOE // Two Women, 1964 // Watercolour on Paper // 36 × 49 cm https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/ae3fab02-2d3e-4c7c-b585-f6a89e93fa95/Chua+Ek+Kay_K011860+copy.jpg Ink and Paper: 10 Years On CHUA EK KAY // North Canal Road with Two Vans, 1998 // Ink and Pigment on Paper // 37 × 37 cm https://www.primzgallery.com/primzgallery daily 1.0 2026-03-19 https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/3553d003-31de-452f-9901-e0020ed0f57d/20260206G_005.jpg https://images.squarespace-cdn.com/content/v1/5f749c47369cca5b390703f6/f136a31d-e40d-4a18-9504-4d45c29c1d28/Paradise_Web+Banners_Horizontal-TV-02.jpg Primz Gallery - 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Ink and Paper 2015